Park Jinyoung is currently working on choreographic and video projects in Korea and Europe, along with exhibitions and performances.
Her 2020 projects include:
Nomadic Life, an online exhibition for artists selected for Straight Through the Wall 2020 (June);
 A Trail to Disappear, an exhibition on the wall of a public building in New York (October);
the screening of (and) about time (too) in Brussels, which had selected for the 2020 International Dance Film Festival Brussels (October); and
the 2020 Asia Dance Community Choreo-Lab Showcase at the ACC in September.
 

Wee Bora graduated from the Department of Dance Performance at the Korea National University of Arts School of Dance. She won a Gold Prize in the contemporary dance category at the Donga Dance Competition, and ranked 2nd at the Seoul International Competition. In 2005 she starred as a guest dancer in Shall we talk about it by Dorkyh Park, a dance company led by the choreographer Contanza Macras. In Korea, as a member of the Laboratory Dance Project (LDP), she appeared in and choreographed various projects including Sinawi, Journeyi, In other words, White Night, and The Wings.
In 2012, after collaborating the French choreographer Pierre Rigal in Théâtre des Opérations in Europe, she danced in JOB, Chronique Diplomatique, and Les Royaumes as a member of the French dance company Adéquate (Lucie Augeais and David Gernez), and appeared in choreographer Jérome Bel’s Gala and Pierre Rigal’s Merveille. In 2020, she was invited to Staatstheater Mainz as an assistant choreographer for Welcome Everybody.
She founded Compagnie R.A in France, and ensured the successful completion of two Art Council Korea programs in 2019 and 2020: the Young Artist Network Program and the Overseas Residence Invitation Program. In 2020, she was also selected for the Culture and Art Exchange Program at the Gwangju Cultural Foundation. Traveling between Korea and France, Wee continues to build on her prolific career as a choreographer and dancer.

As a performing artist, Kim Esl’s research focuses on spaces, relationships, languages, and bodies. As her major theme, she explores the seen and the unseen, and each of her works focuses on a specific sub-theme related to it. As a researcher who values experience, she works and performs in numerous venues and cities.
She showcased her choreographic works at the Next Generation at the ARKO Creative Academy, the Korea National Contemporary Dance Company Choreo Lab, the Saengsaeng Festival, the PADAF Festival, the Ansan Street Arts Festival, and the Debut Contest. She has also worked on various place-specific projects and actively collaborated with other organizations and artists.
She also appeared as a dancer in a wide range of choreographic works in Korea, the United States, Canada, Austria, Brazil, France, Germany, and Mexico.

Lee Jungin is an independent artist whose artistic activities encompass various disciplines with focus on contemporary dance. She has been traveling back and forth between Korea and Europe since 2010 to work in dance companies and other diverse projects in Berlin, Budapest, and Sofia, the capital of Bulgaria. In 2014, she became a member of the Korea National Theater of Contemporary Dance, where she worked for two years.
Starting in 2016, she served as a collaborative choreographer for Redsapata-TanzFabrik, based in Linz, Austria, and as a visiting choreographer for the Black Box Dance Company in Denmark, along with other choreographic projects, workshops, and international collaboration programs.
She currently works with the global convergent group DARV for a project that brings technology and art together. As a choreographer and a creator, Lee is an active presence on whichever platform she works on.