[ACC Funny]
Kiki’s Borderline Personality Disorder Diary
A musical where the protagonist, who is living with borderline personality disorder (BPD), learns to take a step forward and help the audience take their own first step
![[ACC Funny]<br>
Kiki’s Borderline Personality Disorder Diary](/resources/upload/1958/20250224155432_633373600.jpg)
- DateApr. 11–12 (FRI–SAT), 2025
- Time(FRI) 19:30
(SAT) 14:00, 18:00 - PlaceTheater 2
- Age LimitThose born in 2010 or earlier
- Seating466 seats
- Price Seats R KRW 50,000 / S KRW 30,000
- TicketFoundation Website / Call Center / Ticket Office
- Contact+82-1899-5566
- Running time120 min. (no intermission)
- Information※ Reservation starts at 14:00, Feb. 11 (TUE), via the Asia Culture Foundation website
※ Guest bookings for foundation-sponsored shows can only be made and canceled through the foundation’s website
Gallery
Advisory
Please note that the performance contains scenes involving trauma related to sexual harassment and those that directly or indirectly express themes such as self-harm and sex.
We kindly ask our visitors to consider this information when reserving their tickets. Thank you.
Visitor Information
Booking and Visitors Notification
- Age Restriction: Those born in 2010 or earlier
- We ask the visitors to bring certified documents that can confirm their age (national health insurance certificate, passport, resident registration certificate, etc.)
- ※ Visitors below the age restriction are prohibited from entering the performance hall regardless of the presence of their guardians.
- ※ Requests for cancelation or change in reservation will not be accepted if the visitor fails to adhere to age restrictions.
- Tickets may be collected an hour before the start of the performance.
- ※ The reservation number or the phone number provided during reservation process must be verified before the ticket can be collected.
- For those who wish to book wheelchair seats, please contact us via the Call Center (☏+82-1899-5566) for booking.
- All discounts are applicable to the ticket recipient, not the purchaser.
- ※ Those who purchased discounted tickets must present certificates on-site; discrepancy in the ticket price must be paid if the ticket holder fails to present appropriate certificates
- On the day of the performance, remaining tickets may be purchased on-site from 10:00 until the start of the performance.
- National Asian Culture Center strictly restricts viewer rate, mid-performance entry, and photography for a pleasant viewing experience.
- Viewers can enter the venue 30 min before the performance, and will be prohibited entry once the performance begins.
- ※ The entry time may vary by the nature of the performance and on-site situation; please enter the venue 10 min before.
- ※ Latecomers will be restricted from entering after the performance begins. They will be directed to designated seating for late arrivals rather than their purchased seats. If the number of latecomer seats is exceeded, entry may be denied.
- ※ As this performance has no intermission, attendees who leave the venue during the performance will not be allowed to reenter.
- Please note that failure to review the ticket booking and seating regulations will be the attendee’s responsibility. Refunds, cancelations, or changes to purchased tickets due to this oversight will not be possible.
- This concert is a paid performance with a three-hour free parking benefit.
- ※ The parking discount policy has been revised as of Aug. 1, 2024. (Previously) 4 hr → (Revised) 3 hr.
Seat placement

예매 가능좌석
- 1층
-
- A : 1(좌 사이드), 3, 5, 7, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 1(우 사이드)
- B : 4, 6, 9, 11, 13, 15, 17, 19, 21, 23, 25
- C : 3(좌 사이드), 3, 5, 7, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 3(우 사이드)
- D : 2, 4, 6, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27
- E : 5(좌 사이드), 3, 5, 7, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 5(우 사이드)
- F : 2, 4, 6, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27
- G : 7(좌 사이드), 3, 5, 7, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 7(우 사이드)
- H : 2, 4, 6, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27
- I : 9(좌 사이드), 3, 5, 7, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 9(우 사이드)
- J : 2, 4, 6, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27
- K : 11(좌 사이드), 3, 5, 7, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 11(우 사이드)
- L : 2, 4, 6, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27
- M : 1, 3, 5, 7, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 28
- N : 2, 4, 6, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27
- O : 1, 3, 5, 7, 28
- P : 2, 4, 6, 27
- 2층
-
- Q : 1, 3, 5, 7, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27, 29, 31
- R : 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 28, 30, 32
Introduction

Personality Disorder Diary
- “This musical’s greatest virtue is its ability to remain uplifting and vibrant while addressing emotional struggles.”
- -Chosun Ilbo-
- “Audiences will walk away holding the ‘strength to take slow, steady steps forward’ with their two hands.”
- -Dong-A Ilbo-
with sold-out performances in two weeks of its premiere!
Kiki shares that one day they realized they were living with borderline personality disorder (BPD). As a result, they started undergoing dialectical behavior therapy (DBT).
Kiki was admitted to a psychiatric clinic after breaking up with their partner of many years.
While there, Kiki meets a counselor named Ethan, who helps Kiki learn how to handle their personality disorder.
With Ethan’s guidance, Kiki begins a new job and enters a new relationship, but still struggles to confront their pain without evading it.
After completing their DBT, Kiki meets the family members of other people living with BPD in a BPD workshop.
During this workshop, Kiki realizes how vital it is to have support and recognition from loved ones, prompting them to reach out to their mother.
Kiki’s mother, however, does not acknowledge that Kiki is living with BPD.
Kiki and their mother, thus, begin their counseling session in tears.
Now, after five years of DBT, Kiki stands before the audience once again and says,
“I’m not completely over my BPD, but I no longer hate myself.
No, I’m working on that, even now.”
the cast delivers a performance that transcends traditional definitions of gender or age.
Kiki Choi Taeyi Featured in musical “Mamma Mia”
Host “Su” Kim Sujeong Featured in musical “Just Another”
Host “Jin” Shin Jinkyung Featured in musical “Island:1933–2019”
Host “Moon” Moon Jisu Featured in musical “Re-Heater”
Host “Gyu” Lee Mingyu Featured in musical “Island:1933–2019”
Host “Hye” Jeon Seonghye Featured in musical “SHOWMAN”
- Directed, Written, Produced by Cho Yunji
- Composed and Produced by Kim Seungmin
- Cast (Kiki) Choi Taeyi, (Host “Su”) Kim Sujeong, (Host “Jin”) Shin Jinkyung, (Host “Moon”) Moon Jisu,
(Host “Gyu”) Lee Mingyu, (Host “Hye”) Jeon Seonghye - Performance Jeong Jiyeon, Choi Seunghwan, Hwang Hyeonmu, Jeon Uiseok, Wang Jaeyun
- Producer Lee Junhyeong
- Music Director Kang Hanim
- Choreography Director Choi Seongdae
- Stage Director Kang Donghwa
- Stage Designer Song Jiin
- Sound Designer Kim Juhan
- Lighting Designer Park Wongwang
- Video Designer Do Yerin
- Costume Designer Kim Jiyeong
- Assistant Producer Eri Yoshida, Ahn Gyeongmun
- Based on Kiera Van Gelder, “The Buddha and the Borderline”
- Production Jakjak Company
Place Info.
ACC Theater, Theater 2


![[ACC Funny]<br>
Kiki’s Borderline Personality Disorder Diary
zoom image 1](/resources/upload/1958/20250224163015_401380256.jpg)
![[ACC Funny]<br>
Kiki’s Borderline Personality Disorder Diary
zoom image 2](/resources/upload/1958/20250224163015_742992000.jpg)
![[ACC Funny]<br>
Kiki’s Borderline Personality Disorder Diary
zoom image 3](/resources/upload/1958/20250224163016_1347847264.jpg)
![[ACC Funny]<br>
Kiki’s Borderline Personality Disorder Diary
zoom image 4](/resources/upload/1958/20250224163016_529634656.jpg)
![[ACC Funny]<br>
Kiki’s Borderline Personality Disorder Diary
zoom image 5](/resources/upload/1959/20250224163017_635306240.jpg)
![[ACC Funny]<br>
Kiki’s Borderline Personality Disorder Diary
zoom image 6](/resources/upload/1959/20250224163037_1189287072.jpg)
01/