Traditional Art Performance
Traditional dance performance of the Sword Dance, Mundung Drum Dance, and Ilmu Dance. The values of democracy, human rights, and peace are conveyed with a message of freedom and peace.
- DateMay 27 (Sat), 2023
- Time5 PM – 6 PM
- PlaceTheater 1
- Age LimitAge 8 and older
- Seating608 seats
- Price All seats KRW 12,000
- TicketWebsite / Call center / Ticket office/ On site
- Contact+82-1899-5566
- Running time 60 min.
- Information 50% discount for residents of Gwangju or Jeollanam-do
- Other* This performance features sign language translation.
Gallery
Information
Notice
Age limit
- Age limit: Age 8 and older (those born in 2016 or earlier)
- Please bring proof that indicates your date of birth (NHIS certificate, resident registration certificate, passport, student ID card, etc.)
- * Those who are younger than the age limit are restricted from entering the performance hall regardless of ticket purchase or presence of a guardian.
- * Cancellation, refund, or change of booking on the day of the performance for not knowing the age limit is not available.
Ticket booking and pick-up
- Pick-up of tickets and on-site purchase of tickets are available for one hour before the show begins.
- * Confirm booking no. or mobile phone no. to claim ticket.
- Groups of 10 individuals and more or those who wish to book wheelchair seats may make reservation via the call center (+82-1899-5566).
- All discounts are applicable to the recipient of the ticket, not the purchaser.
- * Discount documents must be presented on-site for discounted tickets. Full price must be paid when documents are not available.
Matters to note
- The Asia Culture Center has put an age limit on the show and restricts photography and entry after the show has begun for a pleasant viewing experience.
- * All consequences arising due to failure to read the matters to note are the sole responsibility of the individual.
- The audience may enter the performance hall 30 minutes before the show begins. Entry after the beginning of the show may be restricted.
- * Entry time may vary according to situations or the characteristics of the show. The audience is recommended to enter 10 minutes before the beginning of the show.
- Tickets purchased to this performance include four hours of free parking.
Notices on audience seats
- The audience seats are portable seats that can be moved around during the performance by the performers.
- The fifth row seats are placed three meters from the floor. Those with fear of heights may have difficulties in watching the show.
- The audience seats have low back support and no arm rests. The seats are arranged closely to each other.
- The seats will be moved around during the show. Therefore, no entry is allowed after the show begins. Leaving during the show is available with the assistance of our staff member, but re-entry is restricted.
- This performance cannot be watched on a wheelchair due to the nature of the show. Please understand wheelchair users will be asked to take a regular seat.
Privacy Policy
- This performance requires the audience to consent to the Privacy Policy for the purpose of taking photographs of the audience. The documents will be collected on site and there may be a waiting time.
- If you do not consent to the Privacy Policy, your entry may be restricted.
About
Traditional Art Performance <Daedong Chum III>
Traditional art performance series <Daedong> produced by the ACC will be showcased for the sixth time this year, since the first performance in 2018.
<Daedong> is loved by the public for its excellent production.
<Daedong Chum III> has been inspired by traditional dances including the Sword Dance, Mundung Drum Dance, and Ilmu Dance. The ACC is spreading the values of democracy, human rights, and peace. Our goal is to expand the spectrum of traditional arts and make them popular among the public.
The third story of <Daedong Chum> praised by the audience
Movements of freedom, peace, sympathy, and solidarity: <Daedong Chum III>
<Daedong> is loved by the public for its excellent production.
<Daedong Chum III> has been inspired by traditional dances including the Sword Dance, Mundung Drum Dance, and Ilmu Dance. The ACC is spreading the values of democracy, human rights, and peace. Our goal is to expand the spectrum of traditional arts and make them popular among the public.
The third story of <Daedong Chum> praised by the audience
Movements of freedom, peace, sympathy, and solidarity: <Daedong Chum III>
The Sword
Swords are the means of war, but the Sword leads us to the time of healing.
The sounds of swords clashing, heavy breathing, and lighting shed on stage evoke a fierce battle scene.
The movements of the two individuals seem like deadly sword strikes than a dance.
A shaman appears on the verge of death.
The moment the shaman grasps the sword of the two individuals, the meaning of the sword is no longer the same.
The movements of the two individuals seem like deadly sword strikes than a dance.
A shaman appears on the verge of death.
The moment the shaman grasps the sword of the two individuals, the meaning of the sword is no longer the same.
Hwayangyeonhwa (Mask dance)
In the world and dance floor where there is no discrimination and pain, human right blooms.
<Hwayangyeonhwa> is a dance theater based on mask dances, including Mundung Dance and Bongsan Talchum.
People tell patients with Hansen's diseases that there is a hopeful world.
They show that human right blooms when people gather to ban discrimination from the world.
People tell patients with Hansen's diseases that there is a hopeful world.
They show that human right blooms when people gather to ban discrimination from the world.
Tapa Ilmu
To change what cannot be changed
Ilmu is a dance performed in rows to ritual music.
Tapa breaks down the rows and formality of movements of Ilmu.
The repetition of small movements change the forms of rows that appeared to remain the same forever, making a new structure.
This process asks us the presence of fixed customs that we practice regularly and what spirit of the age is needed in this world.
Tapa breaks down the rows and formality of movements of Ilmu.
The repetition of small movements change the forms of rows that appeared to remain the same forever, making a new structure.
This process asks us the presence of fixed customs that we practice regularly and what spirit of the age is needed in this world.
Crew
| Artistic Director | Kim Sang-yeon | ||
| Planning | RYU | General Producer | Park Ye-won |
| Administration | Kim Ran-hee | Promotion | Lee Si-hyeon |
| Stage Designer | Choi Yeong-eun | Stage Director | Jeong Dong-gyun |
| Lighting Designer | Noh Sang-min | Advertisement Producer |
Kim Ah-reum |
| Costume Designer | Jin Yeong-jin | Promotional Video | The Yellow |
| ACC President | Lee Kang-hyun | ||
| Planning & Operation |
Lee Jeong-woo | PR Director | Lee Yong-wook |
| PR Division | Kim Il-seob, Choi Jong-seung, Yoo Yeon-ah, Park Se-yeon, Lee Song-ah, Kang Myeong-hyeon, Lee Hee-ra | ||
| Stage Director | Kim Seon-jin | Sound Director | Na In-kwon |
| Lighting Director | Jeong Yeong-rok | House Manager | Park Su-jin |
Performers
Dance
Kim So-yeon 
Kim Eun-kyeong 
Kim Eun-i 
Oh Min-ju 
Yoon Hyo-in 
Lee Sa-rang 
Lee Ha-yun
Mask Dance
Heo Chang-ryeol 
Kim Seong-hyeon 
Sohn Byeong-ho 
Lee Min-hu 
Lee Jeong-dong 
Jeong Seung-ha
| Script/Music Director | Kim Sang-yeon | Host | Song Hyeon-min | |
| The Sword | Composer | Yoo Se-yun | Choreographer | Jo Jae-hyeok |
| Hwayang yeonhwa |
Kim Ki-beom | Heo Chang-ryeol | ||
| Tapa | Hwang Jae-in | Jo Jae-hyeok | ||
| Instrument | Project Ensemble Ryun |
Yoo Se-yun, Park Sang-min, Lim Ji-yeong, Choi Hee-seon | ||
| Daegeum | Jo Ah-ra | Sogeum | Park Byeong-jae | |
| Piri | Kwak Jae-hyeok | Piri / Saenghwang | Lee Jun-seob | |
| Percussion | Lee Min-hyeong | Special Percussion | Kim Min-cheol | |
| Gayageum | Chu Hyeon-tak | Jeongga | Jeong Seung-jun | |
| Quintet | Lim Ju-yeon, Jeong Da-jeong, Um Gwang-yong, Lee Hu-seong, Kwon Sae-rom | |||
* The above program may change due to the circumstances of the performers.
History of Daedong
Daedong Cheonnyeon (2018)
Daedong Cheonnyeon (2018)
Daedong Cheonnyeon (2019)
Daedong Cheonnyeon (2019)
Daedong Cheonnyeon (2019)
Daedong Chum I (2020, online content)
Daedong Chum I (2020, online content)
Daedong Chum I (2020, online content)
Daedong Chum II (2021, online content)
Daedong Chum II (2021, online content)
Daedong Chum II (2021, online content)
Place Info.
ACC Theater, Theater 1
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